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Arjun Ramanathan

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India

Navarathri is the time where nights are filled with joy and people dancing with happiness it involves the welcoming of the goddess ,new ventures, wishes to be fullfilled. 🙏🙏🙂🙂🎊

Wishing you all a Very Happy Navarathri
😍😍🎉🎊😍😍😍😍

*Theme : 2024 - Aadhi Shakti Peetam*
The Shakta pithas, Shakti pithas or Sati pithas of Shakthi are significant shrines and pilgrimage destinations in Shaktism, the mother goddess denomination in Hinduism. The shrines are dedicated to various forms of Adi Shakti. Various Puranas such as Srimad Devi Bhagavatam state the existence of a varying number of 51, 52, 64 and 108 Shakta pithas of which 18 are named as Astadasha Maha (major) in medieval Hindu texts. As per mythology, on learning about the death of Sati by self-immolation, Shiva was blinded in rage and started the Tandav Nritya (Dance of Destruction). To prevent the world from eminent destruction, Lord Vishnu used his Sudarshan Chakra to cut the corpse of Sati into 51 pieces, which fell in various places of the Indian subcontinent.

*Adi Shakthi Peetam*
The scriptures, which include the Kalika Purana, recognize four Shakta pithas as sites where most of the Sati’s Body parts fell. Vimala where the feet fell (Pada Khanda), Tara Tarini housing the upper body (Stana Khanda), Kamakhya, where the lower body parts fell (Yoni Khanda) and Dakshina Kalika, where the toes of right foot fell. These four temples originated from the lifeless body of Sati.

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*Vimala Shakthi Peetam :*
The Vimala Temple is a Hindu temple dedicated to goddess Vimala located within the Jagannath Temple complex in Puri in the Indian state of Odisha. It is generally regarded as a Shakta pitha, among the holiest temples dedicated to the Hindu Goddess. In Goddess-oriented worship, Vimala is regarded as the presiding goddess of the Purushottama (Puri) Shakta pitha. Jagannath, , a form of the god Vishnu/Krishna is worshipped as the Pitha's Bhairava. This is a departure from the usual tradition of Bhairava as a form of Shiva. So, in this temple complex, Vishnu–one of the Hindu trinity–is equated with Shiva, another of the trinity; this is interpreted to convey the oneness of God. In this regard, Vimala - generally associated with Shiva's consort - is also considered as Lakshmi, the consort of Vishnu.

*Reference from Lalitha Sahasranamam*
*Sloka 78*
*Vijaya* – She who is always victorious
*Vimala –* She who is clean of ignorance and illusion
*Vandhya* – She who is being worshipped by every body
*Vandharu jana vatsala* – She who has affection towards all those who worship her
*Vaag vadhini* – She who uses words with great effect in arguments
*Vama kesi* – She who has beautiful hair
*Vahni mandala vaasini* – She who lives in the universe of fire which is Mooladhara

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*Khamakya Shakthi Peetam*
The Kamakhya Temple at Nilachal hills in Guwahati, Assam is one of the oldest and most revered centres of Tantric practices, dedicated to the goddess Kamakhya. The Kalika Purana, an ancient work in Sanskrit, describes Kamakhya as the yielder of all desires, the young bride of Shiva, and the giver of salvation. Shakti is known as Kamakhya. Tantra is basic to worship, in the precincts of this ancient temple of mother goddess Kamakhya. Kamakhya Temple denotes the spot where Sati used to retire in secret for a carnal union with Shiva, and it was also the place where her yoni fell after Shiva's tandav with the corpse of Sati.
*Reference from Lalitha Sahasranamam*
*Sloka 180*
*Yoni mudhra* – She who shows the symbol of pleasure
*Trikhandesi* – “She who is the lord of three zones of fire, moon and sun”
*Triguna* – She who is three characters
Amba – She who is the mother
*Trikonaga* – She who has attained at all vertices of a triangle
*Anaga* – She who is not neared by sin
*Adbutha charithra* – She who has a wonderful history
*Vanchithartha pradayini* – She who gives what is desired

🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

*Kalighat Skathi Peetam*
Kalighat Kali Temple is a Hindu temple in Kalighat, Kolkata, West Bengal, India, dedicated to the Hindu goddess Kali. Kalighat represents the site where the toes of the right foot of Dakshayani or Sati fell. The original temple was built by Raja Basanta Roy, who was the uncle of Pratapaditya and the King of Jessore (Bangladesh). The original temple was sited on the banks of Hooghly; however the river has shifted away from the temple with the period of time. In the past days, traders used to take stop at Kalighat to pay their obeisance to Goddess Kali.

Situated on the banks of Ganga, the temple has a sanctum sanctorum in the company of a huge hall by the name of Nat Mandir. In the north-east of this sanctum, there is a Shiva Temple. There is one more shrine dedicated to Radha Krishna. The main attraction of this temple lies in the image of Goddess Kali that bears a long protruded tongue made out of gold.

*Reference from Lalitha Sahasranamam*
*Sloka 133*

*Agra ganya –* She who is at the top
*Achintya roopa* – She who is beyond thought
*Kali kalmasha nasini* – She who removes the ills of the dark age
*Kathyayini* – She who is Kathyayini in Odyana peetha or She who is the daughter of sage Kathyayana
*Kala hanthri* – She who kills god of death
*Kamalaksha nishevitha* – She who is being worshipped by the lotus eyed Vishnu

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*Tara Tarini Shakthi Peetam*
Tara Tarini Mandir is a Hindu temple of Adi Shakti at the Kumari hills on the bank of Rushikulya river near Purushottampur in Ganjam district of Odisha, around 28km from Brahmapur city. The main idols inside the garbagriha are two stone female faces adorned with gold and sliver ornaments. Two brass heads representing their Chalanti Pratima are in between. There is also a small murti of the Buddha in the garbhagriha.

*Lalitha Sahasranamam Dhyana Slokam*

_Sinduraruna vigraham tri nayanam manikya mauli sphurat_
_*Tara nayaka* sekharam smita mukhim apina vakshoruham_
_Panibhyam ali purna ratna chashakam raktotpalam bibrathim_
_Saumyam ratna ghatastha raktha charanam dhyayetparamambikam._

*Meaning :*
Our pranams to Sree Lalithambika whose body is glowing in a vermilion red color and with three eyes. She is sporting a crown of rubies studded with the crescent moon, with a face full of smiles. That She is easily accessible is indicated by Her benign smile. Our pranams to Sree Lalithambika, who has in store for her children an inexhausible life in Her splendid. She is holding in one hand a cup which is made up of precious jewels and filled with honey and fresh red lotus which is surrounded by bees who come to drink the nectar from it, in the other hand. These symbolise joy and wisdom of which She alone is the source. Her feet is placed on a precious pot full of valuable gems indicating that nothing is difficult for those who surrender to Her feet and take refuge in Her.

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